The JOBY team had a wild time at VidCon 2019 with so many awesome creators. The booth was packed through the 3 day event and we had a great time showing off all our new gear, our custom GorillaPods, and doing tons of giveaways. Check out all the highlights.
Are you always in a situation where you need to take a great photo or video of yourself? #JOBYAmbassadors Gunnarolla, the king of selfies :), helps you walk through the new line of GorillaPods, to see which one is right for you.
See the new lineup here: https://joby.com/gorillapod-tripods?mode=grid
JOBY Labs | Episode 1 | Steel Wool Photography
We are constantly inspired by our JOBY advocates on Instagram and after seeing some really amazing Steel Wool photos, like the ones below from @thebumonboard and @monodelespacio we decided to give it a go ourselves.
And so was born JOBY Labs. It’s a new video series where we tackle photography and video trends and explore the fun side of Photo & Video. Follow along as we learn, have fun, and get a bit crazy with our cameras.
JOBY Labs | Episode 1 | Steel Wool Photography
In this episode we see what it takes to burn steel wool, check out camera settings, and then kick it up a notch. How often do you see a 2ft. ball of steel wool on fire, much less throw a bunch of sparks at a firefighter?! And that’s not even the half of what we experienced. Be sure to watch the video for this and so much more!
Canon 5D mkIII | 16-35mm | f/2.8 | f220 | 8 second exposure | ISO 100
Canon 5D mkIII | 16-35mm | f/2.8 | f220 | 20 second exposure | ISO 100
Streamlined, versatile and super cool, you’ll have to take one of these puppies home!
Introducing the JOBY UltraFit Hand Strap with UltraPlate
The UltraFit Hand Strap with UltraPlate combines a streamlined hand strap with our super rad UltraPlate baseplate. Because the hand strap is paired with a universal quick-release plate, you can keep the hand strap attached to your camera while mounting it to a tripod or even using another camera strap. The UltraFit Hand Strap with UltraPlate is compatible with standard and pro DSLRs with or without a battery grip.
The hand strap features JOBY’s UltraFit Layered-Pad Technology™, which provides lightweight support without the bulk. The thin strap pad conforms to the shape of your hand and won’t interfere with use of the camera’s controls. The UltraPlate’s practical design also provides easy access to a camera’s battery door for changes on the fly.
Comfortable for handheld shooting, the UltraFit Hand Strap with UltraPlate is also ideal for shooting with a tripod. The UltraPlate features a universal tripod quick-release plate with built-in Arca-Swiss compatibility. Unlike most baseplates on the market, the UltraPlate has two additional 1/4″-20 screw mounts so you can attach all types of accessories (like camera straps or flash brackets) to the UltraPlate without removing the hand strap, unlike most other hand straps on the market. This innovative hand strap + baseplate design makes the JOBY UltraFit Hand Strap with UltraPlate compatible with all camera tripods and camera straps! No more strap-tripod hassle!
Introducing the JOBY DSLR Wrist Strap
The DSLR Wrist Strap is a simple cinching wrist strap designed for DSLRs or mirrorless/CSCs. Lightweight and comfortable – weighing less than a half ounce – it is our minimalist solution to keeping your camera safe and secure. Featuring a strongly braided cord with a smooth, soft-to-touch finish, the strap is designed to automatically tighten around the wrist if the camera is dropped. The DSLR Wrist Strap was designed for photographers who don’t want a camera strap that gets in their way but do crave the security a camera strap provides.
The DSLR Wrist Strap connects to a DSLR or mirrorless/CSC via universal shoulder lug attachment. The DSLR Wrist Strap comes in one adjustable size to fit most wrists and in two colors: charcoal and neon green.
We’ve added two new products to the JOBY family and boy are they fun little guys!
MPod Mini is a great on-the-go stand for your smartphone. It’s jaws expand to fit just about any smartphone, including the massive Galaxy Note II! iPhone 5, Galaxy SIV, HTC One—they all fit (even with a case!), no problem! Plus, MPod is just $14.95!
We’ve also got GPod Mini Magnetic! A tiny tripod with super strong magnetic feet that is great for your point and shoot camera, GoPro or Contour camera. He might be tiny, but we are not messing around with those magnetic feet! They are STRONG! Take him home for just $14.95!
Jordana Wright is a professional photographer based in Chicago, IL. We first met Jordana during her America By Rail project, a 45 day photography trip across the western United States. She’s been our BFF ever since, making full use of our GorillaPod, Camera Strap GripTight and GorillaTorch lines. She also hosts photo walks and workshops in Chicago, so if you’re Chicago-based, be sure to follow her on Google+ and attend her next event! Thanks Jordana for writing this awesome article for us!
Painting with Light – featuring JOBY’s GorillaTorches
Photographs and Article by Jordana Wright
Painting with Light is a great way to add artistry and interest to your light photography. It can draw out details in natural features, add intrigue to architecture, and bring drama to portraits. To get started painting with light you’ll need: a camera, a tripod, and a couple of powerful flashlights – like the GorillaTorch 125.
When a recent commercial shoot brought me to Virgin Gorda, in the British Virgin Islands, I took the opportunity to practice Painting with Light in a few of the island’s iconic locations. Armed with my Canon 60Ds, a Gorillapod Focus with BallHead X, a wide selection of lenses, and four GorillaTorches, I explored locations like Virgin Gorda’s famed Coppermine Point, The Baths, and Spring Bay, eager to create something beyond traditional touristy photographs. For these shoots specifically, I worked in collaboration with another photographer (Lotus Carroll of Austin, TX), but there are plenty of ways to accomplish similar shots on your own.
The first photo features the iconic boulders found at Spring Bay and The Baths. It is a fairly easy shot to achieve, using basic Painting with Light techniques. For this photo, my camera was mounted on a tripod, set to a low ISO (200), with a wide aperture (f/5), and a very slow shutter speed (30 sec). Remote triggers are not required, but always helpful with longer exposures. They help to minimize camera shake while releasing the shutter. You can get away with using the “self timer” mode on your camera, but a remote is more consistent and very useful.
As far as the painting itself goes, there are a few different techniques you can play with. Ultimately, you’ll find what works best for you, or what works best for each style of image you’re going for. I like to tell students to think of Painting with Light as watering a lawn. You want to do an even job of it. You don’t want any dry spots (underexposed) but you don’t want muddy patches either (overexposed).
To keep my lighting even in this image, I utilized a steady side-to-side movement while working my way from the top of the object to the bottom. If all parts of the object are fully lit by the beam, you’ll still want to move your light continuously over the object to compensate for the brightness of the light’s hotspot, and the dimness of the light’s edges. The amount of time you spend painting will depend on your camera’s settings, the ambient light, the brightness of your light source, and the distance from the light source to the object. For this image, I painted the boulders the whole time the shutter was open, so about 30 seconds. I’m sure there’s an elegant formula somewhere to help you figure out the duration of painting, but with this sort of photography, experimenting is half the fun. The more you practice, the more you’ll develop tricks, techniques, and timing.
As I’m sure you can tell this next shot was A LOT more involved. For starters, because I used the red LED setting on the GorillaTorches, the duration of painting was much longer (red light is inherently dimmer so I needed longer painting times to achieve the same level of brightness as I would with white light). Also, to create the silhouette effect, you will need a second person to stand in the frame.
We painted the foreground by hiding one light in among the rocks of the structure and leaving it turned on for the whole exposure. Once the foreground light was placed, I triggered the shutter, carefully scrambled up the structure and hit a pose. When going for the silhouette effect, make sure your model chooses a pose that they can hold for several minutes. While I posed, Lotus painted the structure from the inside using two Gorillatorches, being careful to fill in every nook and cranny. In order to get the full inside of the ruin, Lotus did a fair amount of crawling around and hit it from all angles. We composed this shot several times to get a variety of exposures levels and shutter speeds. For this specific image, the camera was set to ISO 100, at f/9, for 30 seconds.
The ring and moonlight that backlit the ruins were completely atmospheric and visible to the naked eye. We certainly composed the image to accent the dramatic sky, but the halo effect itself is just an example of being prepared to adjust to your surroundings when they give you something great to work with! 🙂
Another way to paint with light is often seen with light sources like glow sticks, steel wool, and bright LEDs. It involves facing toward the open shutter while moving your light source to create a shape or pattern, or even to form letters. When painting words, you can make each letter from your perspective – which will be the mirror image from the camera’s perspective – then, flip the image over in Photoshop. Make each stroke of the torch several times to sufficiently burn in the letters. Between letters, be sure to cover the light source with your hand or a black cloth to keep from connecting the letters with accidental light trails.
Painting with Light is becoming more and more popular among photographers of the digital age. Now that we have powerful LED technology it is even easier to add the technique to your repertoire. So, grab your camera, a tripod, and some of JOBY’s GorillaTorches and start experimenting!
We sent our GorillaPod Focus with Ballhead X to photographer Ander Haramboure just before he embarked on a photo expedition to Africa. Below he shares his experience and his tips for how get great photographs with zoom lenses in even the most extreme environments!
First, can you tell us a little bit about how you got into photography?
Most of the time, I go into photography during my travels. I’m lucky enough to go out several times a year… Photography is part of the travel itself as taking the good pic needs you to sharpen your eyes. Then you discover so many details you would have never seen without your camera. I’ve also met so beautiful people I wanted to shoot! I couldn’t travel without my camera!
What projects you currently working on? Can you tell us about the project these photos are from?
This year, I going on the extremities… I just came back for Zimbabwe and am heading to Spitzberg Island… 60°c gap!
I was in Africa to support a local NGO. It was the dry season and animals needed to be counted at the waterholes. Many of them were dying of thirst and it was urgent to have a good “picture” of the situation. I was on the “fire line” and could be very close to the animals! Great views!
How has the GorillaPod changed the way you shoot?
The GorillaPod is light and discreet. You can bring it with you all the time even in a small bag! It can solve many of the problems that get in your way of shooting anywhere and everywhere, like low light and need for stability stability with zoom lenses.
What is your best tip for using the GorillaPod?
Without the Gorillapod, you will be limited to “common altitudes”. With it, you can let your imagination express itself! Find the craziest viewpoint of the scene you want to shoot, prepare your camera and only then use the GorrilaPod! Twist it’s 3 legs in many different ways so to find the best stability you can. Mount your camera on the GorillaPod, point, and shoot!
Can you share a story of a time that your GorillaPod really came in handy from your past trip?
In Zimbabwe, sometimes shooting conditions were really extreme! My zoom lens was heavy and I needed stability to get a clear pics! As you could see on one of the pictures, I was able to block my camera on the bull bar thanks to my gorillaPod ! It helped me to shoot a beautiful group of elephants that were showering the babies at the waterhole.
What is your best advice for aspiring photographers?
Even if you need it, photography is no question of technique… Photography is question of imagination and sensibility!
Go out and shoot with your feelings, you get great shots!
We know how tough it can be find a great gift for dad for Father’s Day. Dress shirts are boring, ties are passé, socks are well, socks. This year get your dad a gift that he’ll really put to good use! Plus, from June 1st through June 16th, we’re offering 20% off our favorite gifts for Dad!
Need help finding a gift? Check out our Father’s Day Gift Guide below!
Does your dad like photography? Try our GorillaPod SLR-Zoom. A super lightweight and super flexible tripod he can take anywhere to capture unique photos wherever his adventures take him.
Is Dad a pro photographer or videographer? Check out our GorillaPod Focus. A professional grade tripod with a ton more flexibility than most, it’s perfect for a dad who’s looking to get creative with his photography.
Maybe Dad is the type to hike a mountain, ride a bike or run through city streets—all to get the perfect shot. He’ll love our UltraFit Sling Strap! Designed to allow you to cinch your camera tight against your body but still have for quick and easy camera access, it is perfect for the adventurous and active photographer.
Or perhaps Dad really enjoys DIY projects around the house or tinkering with his classic car? GorillaTorch Flare has six light settings, magnetic feet and is water resistant, making it the best way to light just about any task handsfree!
Is Dad the outdoorsy type who loves to spend his time camping in the great outdoors? Then GorillaTorch Switchback is for him! A 2-in-1 lantern that can convert into a headlamp, he can use it grilling, setting up a tent, or even on a night hike up Half Dome.
Use code DADROCKS at checkout to receive 20% off these great gifts for the dads in your life!
After our UltraFit Sling Strap launch, a good number of customers told us that they also wanted to use their camera strap with their tripod without having to unscrew the strap. So, we started looking for universal quick release tripod plates on the market to point our customers to. But we were surprised at how expensive and complicated they were. $50 – $100? That’s more than our sling strap!
So, our designers and engineers got to work.
We aim for simple but adaptable designs that put a lot of functionality in the hands of our users.
So, let’s start with a universal camera baseplate that’s made of hard-anodized machined-aluminum with a unibody design. That makes it tough, sleek, and small.
We’ll include two ¼-20” female mounting holes for your accessories like camera straps or flash brackets. We’ll include a slot for your hand and wrist strap.
Let’s give it an extra long mounting slot so you can position the base plate where it makes the most sense to you. Now, you have a total camera platform!
Let’s make it an Arca-Swiss compatible tripod plate so you can just slide your camera into the most common mounting system for tripods. But if you’re using something like a Manfrotto® RC2 ballhead, you can attach the UltraPlate to the ¼-20” screw of an RC2 quick-release plate.
We don’t like tools that get in our way so let’s make it small at 2.8” x 1.7” (Arca-Swiss dovetail is 1.5″ wide) x 0.5” (7.2 x 4.3/3.85 x 1.25 cm) and weighing only 1.65 oz (47g) so that it fits nicely underneath your DSLR camera or compact system camera.
And finally, let’s make it $19.95 so it’s a no-brainer for everybody to have one for their camera.
Check out our video below on the UltraPlate and buy one for your camera today!
We sent our new GripTight phone tripod to a few of our favorite photographers, asked them to give it a whirl and then share their photos and experience here on the blog. Eric Wood is a New York-based photographer who first inspired us with his HDR photography. He’s shared his HDR technique for DSLR photography on the JOBY Blog last year and now he’s back to share his thoughts on smartphone photography.
Hoosick, NY | @snaplove on Instagram
What is your best advice for using the GripTight?
The GripTight is awesome for holding my Galaxy SIII nice and still while I fire off a couple shots. One of the most valuable tips for succeeding with the GripTight has to do with your phone. Set your phone’s camera to fire using a timer. That way you can trigger the timer and wait for the shutter to fire without actually touching the phone. The result: super sharp photos!
Can you share a time when the GripTight came in handy recently?
Last weekend, I was walking around a New England church and there was the first red leaf of fall on the ground. I didn’t have my DSLR with me but I had my phone and GripTight. I set it up on the ground and got a great shot of the leaf.
What is your best advice for new photographers?
My best tip is to just shoot. I think lots of people have a belief that you need a big, bulky DSLR to take amazing photos. Any photographer will tell you the best camera you could have is the camera you have with you! In lots of cases that is going to be your phone. Don’t hesitate to use it.
What are your favorite apps for shooting? For editing?
If you’re looking for a one-stop-shop, Instagram is awesome. It’s quality, fun and social. If you prefer to break it up a little, grab Adobe Photoshop Express and use the sharing platform within. I love it! The new mobile Flickr app has some potential too.
Have you found any fun or unique uses for the GripTight?
When I am on the road, I usually wrap my GorillaPod around my rearview mirror and put my phone in the GripTight so I can see the navigation in my view. Works awesome!