Kurt Manley is professional fine art photographer based in San Francisco. He primarily shoots medium format color film in night environments, but you’ll also find him snapping away with his iPhone.
Just like us here at JOBY, Kurt is all about creating amazing art with with little gear and limited resources. In this tutorial, Kurt shares how to shoot studio quality portraits without the studio set up. All you need is an iPhone, a clamp light, a GorillaPod and a few creative backdrop and diffuser materials and you’re in business! Thanks Kurt for sharing your portraits-on-the-cheap secrets with us!
For Joanna I wanted a low-key look and soft light. First, I draped a black table cloth over a door to use as a neutral backdrop. I then hung a thin, white bedsheet in front of the clamp light to act as a diffuser to soften the light. Placing the clamp light approximately 45 degrees camera left and about 12 inches higher than her eyes gave me the lighting I was looking for. I attached the clamp light to the GorillaPod and used the GorillaPod as a handle to maneuver the light while I snapped a few frames using Camera+
—one of my favorite unintended uses for the tripod. To finish, I processed the image using the Black & White filter in Camera+. The whole portrait session took just 10 minutes.
For Liz’s portrait, I used the same bedsheet diffuser technique against a neutral white background as I used for Joanna’s portrait. The only difference was this time the clamp light was positioned camera right and approximately 16 inches above her eyes. I also angled her body away from the light, providing a more dramatic effect to the lighting on her face. I shot with Camera+
and edited the image with the Camera+ Silver Gelatin filter.
For Carlos’ portrait, I tried to emulate a ringflash look. Using tinfoil, I first flagged center of the clamp light to produce a round light source. Then I used a GorillaPod to secure my iPhone in the center of the light so that the area completely surrounding the camera would be illuminated. I used a ladder to secure the clamp light and attached the GorillaPod to a C-stand, but a stool or back of a chair would work just as well. Because of the brightness of the light, I could not see the screen of the iPhone so I fired off a couple dozen shots and hoped for the best! It took a few tries to get the composition right but it was fun to create something that I had never seen done with an iPhone before. I used Camera+
to shoot and processed with the Camera+ Low-Fi filter. The final effect is high contrast and high saturation—perfect for the fashion look this lighting technique suggests.
For Michael, I used the same ringflash technique as I did with Carlos’ portrait. Again, I shot against a neutral white background and then processed with Camera+ Ansel filter. The lighting and filter combination gives a harsh, high contrast look that I think works great with this particular shot where I caught him with his eyes closed. He looks like he’s transcending to a higher place.
Thanks Kurt for sharing your tips with us! If you’re interested in viewing more of Kurt’s work, visit him online. Photos of Kurt in action by Carlos Arrieta.
Update: For this tutorial, Kurt used a 2700k 23w compact flourescent bulb. He says that something in the 3000-3500k range would be good to try as well.